I Go Rediscovering Freedom

The search for inner freedom in the practice of Aikidō and Seitai

by Andrea Quartino

 

Restrictions on freedom of movement are easing [May 2020 lockdown], although the timing and manner remain uncertain. For those who practise Aikidō in a dojo of the Itsuo Tsuda School, the day when they will be able to resume practising does not seem to be near. Beyond the different opinions on the cause of the emergency, the restrictions decided by governments should not limit our ability to judge. It is normal to maintain a critical view of the effectiveness and consequences of such measures while applying them.

Seitai founder Noguchi Haruchika did not shy away from talking about freedom during a period such as that experienced by Japan during the Second World War, when markedly nationalist and militaristic tendencies prevailed to such an extent that the word “freedom” was banned. Of course, he could count on the fact that he had several representatives of the ruling class among his clients.

The end of the war for Italy on 25 April 1945 was a relief for everyone, as was the fall of fascism, even for those who shared that ideology. The same relief was felt by many Japanese.1Tsuda Itsuo, Heart of Pure Sky (posth.), ‘Booklet no. 183’ (end), Yume Editions, 2025. See also Itsuo Tsuda. Calligraphies de printemps [Itsuo Tsuda, Spring Calligraphies], Yume Editions, 2017, p. 399 It was not only the return of peace and more or less formal freedom, but also the end of a climate of constant tension, which was felt everywhere and to which no one was immune. Allowing for the necessary differences, and net of the perplexities aroused by the war metaphors used by many when talking about the effort to contain the contagion, anyone with a modicum of sensitivity cannot fail to feel how everything and everyone is permeated by mistrust and fear, whether caused by the virus or by the penalties imposed for violating the rules. It is a very heavy oppression, and we too will feel relief when and if it ends.

‘When [Master Noguchi] heard about the cessation of hostilities on the radio, he suddenly felt a heavy burden lifted from his shoulders and an unexpected release of tension throughout his body.
His breathing deepened, revealing a deep calm in his mind. This calm brought a surge of fresh energy and inside his skin he felt a new world was beginning.

“Why did I talk so much about freedom during the war?” he said, “it was just words. On the contrary, I was just stuck in my attitude. The more I tried to fight the trend, the more I became locked into a narrow frame of mind, unable to breathe deeply.” ’2Tsuda Itsuo, One, Chap. IX, Yume Editions, 2016, p. 67. The following lines state that ‘[a] truly free man does not discuss freedom, just as a healthy man does not think about health.’ These very words seem to be echoed by Chinese poet Bai Juyi’s verses: ‘Those who speak do not know. Those who know do not speak.’ Tsuda also traced these verses in three of his calligraphies (see Itsuo Tsuda, Calligraphies de printemps (op. cit.), p. 284), quoted them verbatim in The Non-Doing (Chap. XVII, 2013, Yume Editions, p. 180), and evoked them in The Way of the Gods (‘I work in the hope […] another kind of freedom.’, Chap. VII, Yume Editions, 2021, pp. 53–4).

Why was this freedom nothing more than a word for Noguchi? Had he perhaps changed his opinion about the nature of the wartime regime? It is unlikely, but that is beside the point. The question is what we mean by freedom.

Tsuda Itsuo returns repeatedly in his books to the idea of freedom

For Tsuda, modern man ‘has fought some tough battles to acquire his right as a Man. He has obtained some liberties and keeps on struggling to acquire more. But one day he finds that these liberties only concern material conditions external to him.’3Tsuda Itsuo, The Non-Doing, Chap. I, Yume Editions, 2013, p. 15 So human beings often fight for freedoms in the plural, which are conditioned. ‘The fixation of ideas that guides us in the organisation of life, can also work against us by imposing unpredictable constraints upon us. Freedom becomes a fixation that fetters us. The more freedom one has, the less one feels free. Freedom is a myth.’ ‘We struggle against constraints to acquire freedom. Freedom gained never fails to produce other constraints. There does not seem to be any definitive solution. For the freedom we seek is primarily a conditional freedom. We do not possess any idea of absolute and unconditional freedom.’4One, op. cit., Chap. III, p. 24

“Conditional freedom”, almost an oxymoron, if this phrase were not used in law language. We are conditioned by the linear time of clocks, by the social organisation of work and by the market that urges us, with increasingly sophisticated and invasive advertising techniques, to satisfy needs that are mostly induced. Among the abundance of things on offers, available online or otherwise, ‘we find everything except desire. So we choose the chef’s recommendation, the advice of people who aren’t paying for the meal, the seductions of advertising, the clamour of the opinion leaders.’ ‘Certainly we have the freedom to choose, but it is a negative freedom: the freedom to accept or reject what on offer. As for the positive freedom, that of creating, we have neither the intuition nor continuity to enjoy it.’5Tsuda Itsuo, The Science of the Particular, Chap. IX, Yume Editions, 2015, p. 76

Itsuo Tsuda e Haruchika Noguchi
Masters Tsuda Itsuo and Noguchi Haruchika

Tsuda points out the possibility of “letting go” of everything that is apparent freedom, choices imposed on us by the market, consumable goods, marketable goods, however difficult this may be for civilised man, who is afraid of losing everything if he renounces his possessiveness. By letting go, we can ‘finally see the All that is ours; the sky, the earth, the sun, the mountains and rivers, without our having to put them in our pocket.’ We may feel ‘the desire to know true freedom.’ ‘Nothing external, such as money, honour and power, can bring us true Freedom, which is an inner sensation and does not depend on any material or objective condition. One can feel free under the worst kind of duress, and a prisoner at the pinnacle of happiness.’ 6Tsuda Itsuo, The Dialogue of Silence, Yume Editions, 2018, pp. 85-6

The deep desire for another kind of freedom arises together with an inner conviction, which in reality is rediscovered, found again because it has been in every human being since the beginning, since conception. But its rediscovery is not possible as long as we remain on the “path of acquisition” that is the norm in our society, where ‘[a]ll these accumulations weigh heavily on our destiny.’

‘In the way of less, we move in a diametrically opposite direction. We gradually get rid of all that is unnecessary to life. We feel more free because we no longer impose prohibitions or rules on ourselves for living well. We live simply, without being torn this way and that by false ideas.
We do not have to be anti-social or anarchists to feel free. Liberation does not require destruction. Freedom does not depend on conditioning, environment or situation. Freedom is a very personal thing. It arises from deep conviction on the part of the individual.

This conviction is a natural thing that exists in all human beings right from the start. It is not a product thrown together after the fact. But it will remain veiled for as long as we live in a climate of dependency. It isn’t worth it, says Noguchi, to help people who do not want to stand on their own two feet. If we release them, they fall down again.’7One, op. cit., Chap. VI, p. 47

It was this awareness that led Noguchi, when he found another freedom, a deeper breathing and calm at the end of the Second World War, to give up therapy and devote himself to awakening people, allowing each individual to rediscover their inner freedom in the times and ways that suit them.

How can practising arts such as Aikidō and Katsugen undō guide us in rediscovering our individual freedom?

One answer can be found in the words of Taichi Master Gu Meisheng:

‘Can “true naturalness” only be acquired through long and diligent practice? Are you like a child? Because only children are spontaneously natural and free at the same time. In fact, if you have not become like a child again, you are neither free nor natural. […] Usually, for an ordinary person, the body is an obstacle, not a driving force from which spiritual momentum can be drawn. Yet, thanks to very long training combined with diligent and rigorous practice, it is possible to liberate this ordinary person and allow them to act with wonderful, creative spontaneity. Then neither the body, nor the outside world, nor the many ties that bind him to the world constitute an obstacle for him. I first experienced this feeling of freedom in 1970 when I was in prison, and this freedom grew progressively throughout my imprisonment.’8La vision du Dao du professeur Gu Meisheng (video), no longer available – words probably inspired by this part 5 (French) video at the end (‘when I was in prison, in the 1970s’)

The words of Master Gu, who was imprisoned during the Chinese Cultural Revolution, apply equally to Tai Chi, Aikidō and Katsugen undō, and echo those of Tsuda when he says that one can be free even under the greatest constraints. And if the constraints we live under today are not those of a prison, they are nonetheless an opportunity to rediscover our inner freedom9The title refers to the passage from Dante Alighieri‘s Divine Comedy, ‘He goes seeking freedom’, in originale « Libertà va cercando », even giving ourselves the chance to practise alone when there is no dojo available. This discovery is not exclusive to great masters such as Master Gu, Master Noguchi or Master Tsuda, and although it is an individual quest that is pursued through continuous practice, we can begin here and now to be free as human beings, because “being free makes others free”10cf. the video and interview Manon Soavi, Being Free Makes Others Free.

Andrea Quartino

Notes

  • 1
    Tsuda Itsuo, Heart of Pure Sky (posth.), ‘Booklet no. 183’ (end), Yume Editions, 2025. See also Itsuo Tsuda. Calligraphies de printemps [Itsuo Tsuda, Spring Calligraphies], Yume Editions, 2017, p. 399
  • 2
    Tsuda Itsuo, One, Chap. IX, Yume Editions, 2016, p. 67. The following lines state that ‘[a] truly free man does not discuss freedom, just as a healthy man does not think about health.’ These very words seem to be echoed by Chinese poet Bai Juyi’s verses: ‘Those who speak do not know. Those who know do not speak.’ Tsuda also traced these verses in three of his calligraphies (see Itsuo Tsuda, Calligraphies de printemps (op. cit.), p. 284), quoted them verbatim in The Non-Doing (Chap. XVII, 2013, Yume Editions, p. 180), and evoked them in The Way of the Gods (‘I work in the hope […] another kind of freedom.’, Chap. VII, Yume Editions, 2021, pp. 53–4).
  • 3
    Tsuda Itsuo, The Non-Doing, Chap. I, Yume Editions, 2013, p. 15
  • 4
    One, op. cit., Chap. III, p. 24
  • 5
    Tsuda Itsuo, The Science of the Particular, Chap. IX, Yume Editions, 2015, p. 76
  • 6
    Tsuda Itsuo, The Dialogue of Silence, Yume Editions, 2018, pp. 85-6
  • 7
    One, op. cit., Chap. VI, p. 47
  • 8
    La vision du Dao du professeur Gu Meisheng (video), no longer available – words probably inspired by this part 5 (French) video at the end (‘when I was in prison, in the 1970s’)
  • 9
    The title refers to the passage from Dante Alighieri‘s Divine Comedy, ‘He goes seeking freedom’, in originale « Libertà va cercando »
  • 10
    cf. the video and interview Manon Soavi, Being Free Makes Others Free